I am delighted to say that my Effervescence Brooch #1 was included in the May/June issue of Fine Jewelry News in a feature about jewelry that evokes childhood fun and games entitled "Trends: Play."
Tuesday, May 26, 2009
Recent Press: Fine Jewelry News
I am delighted to say that my Effervescence Brooch #1 was included in the May/June issue of Fine Jewelry News in a feature about jewelry that evokes childhood fun and games entitled "Trends: Play."
Sunday, May 24, 2009
In memorial...
Whether you politically agree with the battles they fought or not...Please take a moment to commemorate all U.S. men and women who have given their lives while in the military service on Memorial Day...
Tuesday, May 19, 2009
To SNAG or not to SNAG, that is the question...
...well, not really, but it makes for a catchy (or should I say kitschy) blog title!
For my customers and readers who are thinking "Huh, SNAG???"
SNAG = Society of North American Goldsmiths. "An international educational nonprofit organization which supports and advances the professional practice of artists, designers, jewelers and metalsmiths." (or so they state on their website...)
This year's annual conference is entitled "REVOLUTION" and runs from May 20-23, 2009 in Philadelphia, PA.
from the Oxford American Dictionary:
So now the question is, what meaning of revolution is SNAG referring to? Are they revolting against something? If so, WHAT?!? OR...Are they simply orbiting around themselves and dancing in circles?!? These are valid questions. And if anyone knows the answers, please tell me!
Some of you may already be aware of my disappointment in SNAG, as I stated in my older post about Metalsmith's 2008 Exhibition in Print "Equilibrium: Body as Site." If not, you can read it here.
Despite the fact that I dropped my SNAG membership years ago because I didn't feel represented by the organization, I was truly interested in attending this year's conference. The dizzy title "REVOLUTION," naturally peeked my curiosity and the fact that it is taking place in my old stomping ground, Philadelphia, were factors. But I was actually more interested in the conference due to the web 2.0 wave. I feel like I have connected with more of my peers within the last year through facebook, crafthaus, flickr and Etsy than I have in the last 16 years since I graduated from college. The ability to meet many of these people in real life was the real draw. I was also very interested in the Professional Development Seminar. (Although I am confused why it is call a "pre-conference program"...doesn't it take place after registration begins...therefore it takes place during the conference. Are they trying to separate the professionals from the academics at the conference too?)
Unfortunately, I am not able to attend the "REVOLUTION" due to a schedule conflict.
I am looking forward to hearing reports from others about the "REVOLUTION" so I can decide if I want to renew my SNAG membership or to resign to the fact that the organization is not meant for designers like me. I would be naive if I thought that one revolutionary conference would change the feudalism of our art metal community. However, with the influx of a younger, and hopefully more open-minded audience, change may slowly start to take place.
For my customers and readers who are thinking "Huh, SNAG???"
SNAG = Society of North American Goldsmiths. "An international educational nonprofit organization which supports and advances the professional practice of artists, designers, jewelers and metalsmiths." (or so they state on their website...)
This year's annual conference is entitled "REVOLUTION" and runs from May 20-23, 2009 in Philadelphia, PA.from the Oxford American Dictionary:
revolution |ˌrevəˈloō sh ən|
noun
1 a forcible overthrow of a government or social order in favor of a new system.
• ( the Revolution) the American Revolution.
• (often the Revolution) (in Marxism) the class struggle that is expected to lead to political change and the triumph of communism.
• a dramatic and wide-reaching change in the way something works or is organized or in people's ideas about it : marketing underwent a revolution.
2 an instance of revolving : one revolution a second.
• motion in orbit or a circular course or around an axis or center.
• the single completion of an orbit or rotation.
So now the question is, what meaning of revolution is SNAG referring to? Are they revolting against something? If so, WHAT?!? OR...Are they simply orbiting around themselves and dancing in circles?!? These are valid questions. And if anyone knows the answers, please tell me!
Some of you may already be aware of my disappointment in SNAG, as I stated in my older post about Metalsmith's 2008 Exhibition in Print "Equilibrium: Body as Site." If not, you can read it here.
Despite the fact that I dropped my SNAG membership years ago because I didn't feel represented by the organization, I was truly interested in attending this year's conference. The dizzy title "REVOLUTION," naturally peeked my curiosity and the fact that it is taking place in my old stomping ground, Philadelphia, were factors. But I was actually more interested in the conference due to the web 2.0 wave. I feel like I have connected with more of my peers within the last year through facebook, crafthaus, flickr and Etsy than I have in the last 16 years since I graduated from college. The ability to meet many of these people in real life was the real draw. I was also very interested in the Professional Development Seminar. (Although I am confused why it is call a "pre-conference program"...doesn't it take place after registration begins...therefore it takes place during the conference. Are they trying to separate the professionals from the academics at the conference too?)
Unfortunately, I am not able to attend the "REVOLUTION" due to a schedule conflict.
I am looking forward to hearing reports from others about the "REVOLUTION" so I can decide if I want to renew my SNAG membership or to resign to the fact that the organization is not meant for designers like me. I would be naive if I thought that one revolutionary conference would change the feudalism of our art metal community. However, with the influx of a younger, and hopefully more open-minded audience, change may slowly start to take place.
Tuesday, May 12, 2009
These Shadow Boxes are like Magic!
I was recently invited to participate in an art exhibition that was, ironically and unfortunately, not prepared to display jewelry. Normally I would shy (or run) away from organizations not able to properly display/secure jewelry. However, this exhibition pulled on my heart strings. It is the first exhibition for the past scholarship recipients of the Allied Artists of Johnstown---a scholarship I was awarded 20 years ago!
Feeling nostalgic, my mission began...find a way to display my jewelry that is secure and easy to ship. That is when I remembered an article I read in the Jeweler Resource Bureau about mounting jewelry in floating shadow boxes. These shadow boxes are two part frames which open at the center, allowing you to place almost any jewelry item inside. A clear, flexible plastic sheeting accommodates the jewelry and holds it firmly in place---virtually suspending it. A strong magnetic strip holds the two sides of the frame/box securely closed.
My next mission...find a way to secure this shadow box onto a pedestal and prevent it from being opened. That is when I turned to my husband, Ben Gilliam---metal artist, teacher and brilliant gig maker.
He designed and made me this wooden stand to hold the shadow box. It gets screwed to the top of the pedestal then the frame slides into the groove. He inserted a female thread into the bottom of the shadow box frame, and a screw then secures the frame in the wood base. Simple and brilliant, no?! Thanks, Ben!
These shadow boxes are available in bulk from Prestige Pak Inc. or in smaller quantities from Rio Grande.
Feeling nostalgic, my mission began...find a way to display my jewelry that is secure and easy to ship. That is when I remembered an article I read in the Jeweler Resource Bureau about mounting jewelry in floating shadow boxes. These shadow boxes are two part frames which open at the center, allowing you to place almost any jewelry item inside. A clear, flexible plastic sheeting accommodates the jewelry and holds it firmly in place---virtually suspending it. A strong magnetic strip holds the two sides of the frame/box securely closed.
My next mission...find a way to secure this shadow box onto a pedestal and prevent it from being opened. That is when I turned to my husband, Ben Gilliam---metal artist, teacher and brilliant gig maker.
He designed and made me this wooden stand to hold the shadow box. It gets screwed to the top of the pedestal then the frame slides into the groove. He inserted a female thread into the bottom of the shadow box frame, and a screw then secures the frame in the wood base. Simple and brilliant, no?! Thanks, Ben!
These shadow boxes are available in bulk from Prestige Pak Inc. or in smaller quantities from Rio Grande.
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